Odds Against Tomorrow is a 1959 film noir, a combination heist-movie and message-film (is that three genres?). It was directed by the great Robert Wise and starred Harry Belafonte and Robert Ryan, whose shadows you can see in these photos.
The climax is a chase through an oil refinery at night. Harry Belafonte is chasing down the racist Robert Ryan, to their mutual destruction. The sequence was lit – or perhaps sculpted is a better word – by powerful spot lights. The shots function as tightly composed still photographs. The cinematographer Joseph C. Brun had been nominated for an Oscar in 1953, and seeing these images, you can understand why.
See my other posts on the photography in this movie: Odds Against Tomorrow 2, Odds Against Tomorrow 3 and Odds Against Tomorrow 4