Binh Danh’s Immortality

Binh Danh: Immortality: The Remnants of the Vietnam and American War’

The Sydney Biennale is showing a series by the artist Binh Danh, chlorophyll prints made on leaves from Vietnam. Photographs from the Vietnam War were placed on tropical leaves and left in the sun, which creates an image on the leaf through photosynthesis. Later the leaves are cast in resin, like scientific specimens.

“This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them. The leaves express the continuum of war. They contain the residue of the Vietnam War: bombs, blood, sweat, tears, and metals. The dead have been incorporated into the landscape of Vietnam.”

I was raised in a traditional Vietnamese household, where many of the family’s Buddhist rituals focussed on the worship of ancestors, thus meditating on death and its influence on the living. The themes of mortality, memory and spirituality became a lifelong inspiration.

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