A review of Justin Art House Museum

I’ve been mentioned in a review of the exhibition Digital: The World of Alternative Realities. This is at the new Justin Art House Museum in Prahran,

The review is in Artlink magazine, which covers contemporary art and ideas from the Asia-Pacific. Click here to read the full article, written by Emily Cormack. Here’s the part where my work is mentioned:

Greg Neville in his work GoooOg (2012) uses satellite images sourced from Google Earth and reconfigured as mirrored, symmetrical compositions. These configurations treat the terrain as raw material, offering a new order completely unrelated to the towns and cities represented in the sourced images. 

In both Neville and Haley’s works the terrain depicted is irrelevant, the material reality of the stock or Google Earth image is discarded in favour of the artist’s creative schema. This is not appropriation, it is more like Baudrillard’s retelling of Borge’s fable of the cartographers who drew up a map so detailed that it covered the land represented so that the “territory no longer precedes the map.

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Bill Henson at the NGV

Bill Henson’s big new show at the NGV is an atmospheric installation of nudes, landscapes and museums images. The presentation is of large prints in the same size and format, all subdued in tone and hung on black walls. It gets you as soon as you step in.

As an exhibition it feels surprisingly unified and whole despite the differences in subjects, it coheres like music, the changes subsumed the overall tone or timbre. Going by the solemn attention given to it by my students and other visitors, the show will establish him with a younger public and with those who may have been disturbed by the 2008 panic.

One thing, the NGV has chosen to mount this show in what is normally the academy hall, where 18th and 19th century salon paintings normally hang. As an exhibition of 21st century photographs it disrupts the room-to-room flow of historical paintings, but its fin-de-siécle style relates well to the Pre-Raphaelite and academy paintings in the adjacent room.

“The images in this exhibition are drawn from a body of works created between 2008 and 2011 and continue Henson’s sensitive, sophisticated study of the human condition, which he has realised over his forty year career.”

A powerful sense of mystery and ambiguity can be found within the images, heightened by the velvet-like blackness of the shadows and the striking use of chiaroscuro to selectively obscure and reveal the form of the nudes, sculptures and the landscape itself.”  (NGV)

Ali Harper wins at the AIPP

Allison Harper is a former student of mine and she has just been declared the AIPP Emerging Photographer of the Year for 2017 – I’m not suggesting there’s any connection! The annual AIPP awards cover a range of categories of commercial/professional photography and recognition such as this can have a real benefit to a photographer. The AIPP, The Australian Institute of Professional Photographers, is a guild that looks after the interests of commercial photographers nationwide.

Ali was an excellent student who always brought creative surprises to class. The portfolio presented in the competition’s website show architectural subjects, but she nails every kind of subject matter, including bizarre portraits of twins that she submitted in her Melbourne Polytechnic folio last year.

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I’m at the Justin Art House Museum

jahm

The Justin Art House Museum is opening tonight with this exhibition, Digital: the World of Alternative Realities. I’m one of the artists in this exhibition of contemporary digital art from the collection of Leah and Charles Justin. The galleries where the collection is on display share space in their extraordinary Prahran home. The museum is open to the public on Sundays and Wednesdays, click here for details.

“The works are predominantly non-figurative and abstract. The collection includes a diverse spectrum of art practice including painting, sculpture, works on and from paper, and photography.”

“This exhibition will explore the virtual worlds constructed by the artists, examining the notions of alternate universes, dystopian visions, through to providing social commentary on our existing world.”

screen-shot-2017-02-16-at-6-45-52-pm

The work I have in the show is from my Gooog series of a couple of years ago: 

“The online software programme Google Earth is a vast mapping and surveillance project. Combined with Google Street View, it is the most ambitious photographic project in history. Through a simple mirroring process, the endless twisting and looping highways that criss-cross the planet become beautiful decorative designs, like tapestries or Persian carpets.”

gooog

That description leaves out a dystopian element to the work, because I wanted to create a beautiful representation of pointlessness. The images in Gooog are screen-captures of looping highways from Google Earth. The patterend effect was intended to create an image of futile, circling journeys like the pattern of ant paths seen from above.

The Gooog image sits well in the company on the gallery walls, as other works in the show share the same unsettling vision of the planet. Yang Yongliang, Gregory Bennett, Stephen Haley and others envision the world in vast repeating patterns of human settlement and behaviour. But not all of it is threatening. In his opening address, Charles Justin talked about the dilemma of taking a pessimistic or optimistic view of the earth’s future, joking that “a pessimist is an optimist who is a realist!”

In his opening speech, the acclaimed scientist professor Tim Flannery, linked the digital art processes in the show to the body’s own digitally encoded DNA, which produces the body’s protein. He made poetic observations about DNA, a digital system, producing the analogue protein and fat of the human brain, which in turn devises its own digital calculations for producing art.

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Festival of Photography at the NGV

pieter-hugo-ngv                         Pieter Hugo, Green Point Common, Cape Town 2013

This is a big deal: the National Gallery of Victoria will be presenting a series contemporary photography exhibitions for its Festival of Photography from March to August. It will take over a number of galleries across the NGV, presenting new acquisitions of Australian and international works acquired over recent years.

Four Australian photo-artists are featured, with solo shows by Bill Henson, Patrick Pound, Zoë Croggon and Ross Coulter. In addition there will be a major exhibition of William Eggleston’s portraits, recently shown London’s National Portrait Gallery.

Other displays will include work by Sophie Calle, Pieter Hugo, Polly Borland, Adam Fuss, Thomas Demand and many others.

“The NGV Festival of Photography provides an opportunity to be immersed in exciting new works of photography, digitally produced prints as well as film based projects by both established and emerging artists.”

The Festival of Photography is a very impressive event on the calendar and will run between March and August. Check the NGV website for details of individual shows and events.