Greg Neville, Figure 1, 2013
This year’s CCP Salon opens on November 21. This is my work, a human figure taken from a 1912 postcard of Wall Street. I have a small collection of vintage postcards of US skyscrapers, many of which include tiny ant-like people on the streets.
The printers dots almost overwhelm the figures, which hover just at the point of disintegration. They have an appealing quality of mystery. Since the postcards are derived from photographs, although heavily retouched, they do represent reality and the figures are real people. Who were they? One of the enigmas of photography is this preservation of identity. Despite the distance of time and the disruptions of technology, we encounter this anonymous figure as an individual like ourselves, a fellow human being,
Postcard, Wall Street, New York City, 1912
Installation at the CCP Salon. My picture, bottom left, has won a prize at the CCP Kodak Salon, for ‘Best Use of a Found Photograph’ (gift voucher from CCP Shop, $100).
The image is called “1931” and is from a snapshot of my late mother, a schoolteacher, with her students in rural Victoria in 1931. The image has been heavily blurred to create a distancing effect, and because of the tones in the original photo, the blur looks like a distorted skull.
Cathy Hayward, Andy and his hors d’ouvres
The annual Kodak Salon at the Centre for Contemporary Photography is on and several of my students have put work in. This open entry show is a great opportunity for emerging photographers, it gives them a chance to try out the exhibition process and test their work against others. You can see a selection of their work at visual arts nmit blog.