Ruth Maddison is showing an impressive series of photograms at the Monash Gallery of Art as part of the Life Aquatic exhibition.
Lumen prints as they are described, is the process where objects are placed on photographic paper in sunlight and left for a few minutes or even hours. It’s a fancy word for sun prints or outdoor photograms and it takes us back to “photogenic drawing,” the process Henry Fox Talbot discovered in the 1830s before he invented the Calotype.
A Lumen print is made without developing chemicals as sunlight itself converts the silver halide crystals into particles of silver, the substance making up black & white analogue images. The prints are chemically fixed and washed to preserve them, but the image itself is magically formed by sunlight alone.
Photogram photography, perhaps because of its primitive appeal
(no camera, no enlarger, no darkroom) is having a revival these days in the face of the advanced digital technologies. For example, Geoffrey Batchen, the distinguished historian of photography, has recently produced a handsome book and exhibition on the photogram’s history called Emanations, The Art of the Cameraless Photograph.
One of the first female photographers was Anna Atkins, an English botanist who made photograms of plant specimens on the seashore. Thus it may be that Maddison, by making photograms of plant life at the seaside town of Eden, is celebrating Atkins pioneering work.
The installation is part of Life Aquatic, at the Monash Gallery of Art. The other artists in the show are Narelle Autio and Catherine Nelson. The exhibition continues until February 26. It will lift your spirits.